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June 01, 2017

360 Degrees of Separation with VRHush.com

This article originally ran in the June 2017 issue of AVN magazine. Click here to see the digital magazine. Alongside its comfortable low-slung ranch-style neighbors, the blocky white location house where Shy Love is directing a new VR series sticks out like a squared-off sore thumb, with angular upper stories poking up behind the styled brown-board fence. The inside of the house is as minimalist-modern as the outside, with hard surfaces everywhere: polished concrete floors, high ceilings, many windows—some floor-to-ceiling—and white walls ornamented with several large-screen TVs and big graphic art pieces that wouldn’t be out of place in an Ikea store. “This is the first scene ever shot full-360 the whole way through,” Love says. “Everybody says they’re doing 360. Nobody has, yet. They’re shooting 180 and plating the rest. For this, the director has to be out of the room—we all have to be—we’ll be watching from a monitor. I simulate everything for the talent: I do all the dialogue, all the positions. When the scene starts, the talent knows from step one to the last step exactly what they’re doing. I have code words if I don’t hear enough vocals or they need to change positions. They’ll take that out in post.” The scene will be shot with 14 GoPro 5 cameras in a circular VR rig made with 3D-printed camera mounts. The cameras’ wide-angle lenses will provide overlap for seamless matching in post-production, VRHush’s David Malone tells me. There is a server on the premises for quality control checking. “This system captures about a terabyte of data every 20 minutes, and we compress it down to about a 3 gig file. The biggest problem right now is that the VR players are kind of a handicap. We produce beautiful content, and shove it down to something a phone can digest. But we could come back in 10 years and still be a little ahead of the curve.” An extra camera on the rig will also capture the action for promo use: “We can release a nice, flat 4K render of it and then say ‘To see this in 360 VR go to this website.’ It’s been really beneficial for us.” The scene features newbie Taylor Sands with Derrick Pierce. Pierce tells me about shooting VR as male talent: “It’s a pain in the ass. The girl has to be enamored of the camera, and you can breathe—that’s it. I’m supposed to be the guy who’s watching, so I can’t move, or touch the girl, or you see me instead.” During the set-up, I was warned, “Don’t say GoPro.” Oh, okay. The company doesn’t want to be associated with porn? “No, the cameras are voice-activated. If you say ‘GoPro,’ they turn off, or they turn on. Messes things up. Don’t say it.” The camera rig is secured like a halo above Pierce’s head and everybody takes cover behind a partition wall. Shy steps out, briefs the players—tease, strip, blowjob, reverse cowgirl, blowjob, cowgirl, blowjob, reverse cowgirl anal—comes back behind the wall. The monitor is an iPad, with the picture tilted 90 degrees. “GoPro start recording!” A confirming chirp. “And—action!” They mime playing strip poker. The deck has been stacked to give Pierce the winning hand. Pierce wins, Sands’s shirt comes off. “Two hands, then anal,” somebody says. “Works for me.” The first shot is marred by a wind gust pushing the front door open. “We have to start from scratch,” Love says. “Most of the time, somebody could step in, close the door, nobody would care. Not here.” Start over. Love has one eye on her stopwatch as Sands pulls off her shirt, pulls her bra down, teases her pants down over her hips, rubbing on Pierce’s crotch. At 2:01 Love calls “Cut!” and she tells Sands her next move: pull down Pierce’s pants for the blowjob. “Remember, you’re playing to the camera. ‘Do I really have to do what you want me to do? I have to give you that ass, don’t I?’ Be a teaser. Blow him, look into the camera.” Love retreats. “Action!” When Sands pulls off Pierce’s pants, she ad-libs “It’s so big” before starting the blowjob. At 5:24 Love calls “Transition!” and whispers, “I don’t think she wanted to do the BJ.” Transitioning, Sands straddles Pierce’s thigh, moves over, Pierce inserts. A low sigh of pleasure. She rides the dick at an angle, looking back. “You’re fucking me. Yes. You’re fucking me so good.” English is not her first language, but she’s getting the point across well. The intensity is building between them. 9:10 “Transition!” Back to blowjob, now with a big smile. “Are you ready for my ass?” and she stands up for the cowgirl, and he puts it in. “Oh my gawd,” she groans. Low, throaty. At 10:39 she is bouncing, slowly, savoring the pleasure, and then speeds up before getting off and kneeling for blowjob number—four? I’ve lost count—before turning her back to Pierce for the reverse cowgirl anal. “Spread her ass!” Love directs. Sands bounces too high, Pierce pops out, then goes back in. “Oh, It’s so good,” she moans. “Three more minutes,” Love says. Sands grabs her own ass, bouncing. “Oh, yes, fuck my ass, just like that.” His hand is on her hip. “Fuck me harder.” She is getting into it. Love watches the screen intently, as Sands bounces left-to-right on the tilted image, and when there is enough footage, she says, “You can cum whenever you want.” He does, in an anal creampie. “Okay, squeeze some of it out. Lick his cock, and say, ‘I’ll lose to you any time.’” She does, and Love grins, saying “And we got it!” with a triumphant fist pump. “GoPro stop recording!” The scene will go live June 1 on VRHush.com.

 
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